‘The Loudest Engine ‘Special.
“Baby Blue” By Howling Bells.
The Album –“The Loudest Engine.”
The problem with producing a flawless debut album widely regarded by many as a genuine classic, is that there will always be those who demand that subsequent albums endlessly repeat variations on the same theme. To adopt such a narrow-minded viewpoint means refusing to accept that for artists, exploring different musical directions is all part of the creative process. This appears to be the reaction Australia’s finest musical exports, Howling Bells have garnered from certain areas of an increasingly capricious musical press and as such may be forgiven for believing that producing such an immaculate debut has become something of a double-edged sword. Their sophomore album ‘Radio Wars’ received a decidedly unenthusiastic critical reception with many reviewers appearing disappointed that the band hadn’t rigidly adhered to the musical template set down on album number one.
However it’s highly unlikely that a selection of ill conceived, luke-warm reviews would have changed ‘the Bells’ approach when it came to writing and recording their third album. If you exist only to seek the approval of others than invariably you will lose your way as an artist. Singer Juanita Stein describes the band’s latest album ‘The Loudest Engine’ as “a modern psychedelic record more folk and rock than our last two albums” which “will change people’s perspectives of the band.” The album is a seductive, edgy and at times downright explosive affair, and sees the band come out with all guns blazing assisted by Mark Stoermer (of The Killers) on production duties. ‘The Loudest Engine’ defiantly has a trippier vibe in comparison to the post apocalyptic sound of “Radio Wars” or the sinister, claustrophobic goth-country of their debut, but rest assured the band haven’t been ingesting huge quantities of acid and communing with animal spirit guides whilst recording the album in the Nevada desert. Whilst it’s an album that rocks it’s not what you’d call an out-and-out rock album, and despite some mightily impressive guitar jams it still retains that magical, ethereal quality that make Howling Bells such an intriguing and beguiling proposition. They inhabit a world were innocence and wonder are seemingly stalked by an unseen, intangible darkness. Songs such as “Into The Sky,” “Don’t Run,” “Sioux,” “The Faith” and “Baby Blue” all serve notice that you write Howling Bells off at your peril on an album that delivers from start to finish and plays to the bands many strengths. Juanita’s vocals veer between coquettish seduction and strident imperiousness whilst the band demonstrate just what a formidable musical unit they have become, deftly mixing light and shade with subtlety and raw power. A great album from a wonderful band who I hope continue to make the music THEY want to make for many years to come.
Manchester’s Academy 3 plays host to the last gig of Howling Bells mini tour to promote ‘The Loudest Engine’ and finds the band on spectacular form. Juanita is almost impish as she somewhat coyly charms the audience and the natural camaraderie that is apparent between the band members combined with the obvious love displayed for their craft immediately translates to an enthusiastic audience. Tonight’s set list, somewhat surprisingly, contains only one song from the ‘Radio Wars’ album, the epic Orwellian ‘Cities Burning Down’ as the band instead decide to weave some choice cuts from their debut album with new material. Live, the slow burning folk rock, torch song “Sioux” takes on mystical quality with Juanita transforming herself into some sort of ethereal high priestess, whilst the album’s title track sees Joel wigging out with some incredible guitar licks. In many ways ‘The Loudest Engine’ makes perfect sense live, giving the band plenty of scope to ‘rock out.’ The evenings entertainment is drawn to a fitting conclusion with an encore that includes a thunderous version of the classic ‘Low Happening,’ and new song ‘Live On’ as once again Howling Bells demonstrate just why they are still one of the best live acts around. Long may they continue to chime!
A quick word about opening act Cold Specks, the conduit through which Canadian singer songwriter Al Spx performs. With a voice imbued with more soul than New Orleans , Al mesmerised the audience and by the end of the set had them shouting for more, which is quite a rare thing for a support band. Ones to watch for sure 😉
“Holland “ by Cold Specks.
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Prior to The Manchester gig, we went backstage and had a chat with Brendan Picchio, the Howling Bells bassist about the album, stadium gigs, the kindness of Chris Martin, Juanita’s impromptu Alice Cooper impression and life on the road.
VP: Would you say the intention behind the new album was to do something very different from Radio Wars, to take another musical leap so to speak?
BRENDAN: I guess you’d hope every album is a progression of sorts. It was a long writing process for ‘The Loudest Engine’ a lot of it done on the road, but rather than progress or move forward I think the predominant feeling was to make a record that was true and honest and from the heart. After all there are only 12 notes on the music spectrum, there have been thousands of bands from The Beatles through to the present day, and maybe there’s a feeling that everything’s been kind of done before. I think we accomplished what we set out to achieve, at the time we were all in a very good head space, very happy, positive and emotionally connected as a band.
VP: As a band you seem to straddle genres and I think the critics find it hard to pigeonhole you, but you’ve always managed to produce music that has a slight darkness imbued within… Juanita said this record sounds 70’s tinged and psychedelic which happened almost accidentally?
BRENDAN: Yeah I think some of tension, musically speaking comes from Joel’s guitar playing which has certain intensity to it. With regard to the album Juanita’s right to a degree, in terms of this album technically speaking we went for a kaleidoscope kind of sound, but it also has a raw airy feel to it. We were very inspired by The Doors documentary we’d watched just before going into the studio. I remember before recording Joel sent an email saying ‘No way am I doing this album unless we record it to tape’ and everyone’s like ‘get the fuck out of here, everything’s on digital these days’. Then the next day Mark [Stoermer–producer] said ‘Hey guys I’ve found a tape machine!’ And that was it! We went old school and recorded to tape, we did like maybe four takes, listened, picked one, overdubs, done! It was basically the band in the room playing takes which was really a lot of fun.
VP: Your debut album was quite rightly universally praised, did this lead to any kind of pressure when making subsequent albums, a weight of expectation perhaps?
BRENDAN: I didn’t feel any pressure personally as I tend not to think that way but I think maybe some of the guys in the band may have done. Mind you when we get in the studio it’s just four people trying to make a record to the best of our ability. We generally don’t read reviews as it’s just an opinion, I mean hell, I don’t even trust my own opinion sometimes [laughs]. All I can say is we put our hearts and soul into what we do, and if someone doesn’t like out heart and soul – well…. fuck ‘em ! [laughs]. If you try to concoct some sort of idea of what people are expecting of you it’s never gonna be true and honest. It’s like being with your wife or girlfriend and trying to figure out what she wants you to say rather than what you genuinely feel.
VP: So how did Mark Stoermer from the Killers get involved in producing the album?
BRENDAN: He’s a genuinely lovely guy; he’s here tonight, I’ll introduce you, we’ve toured with them a few times already and they are very quiet guys. Mark actually seemed initially to be the most serious. In fact the first impression you get is maybe he doesn’t want to talk to anyone, he wants to be left alone or he’s upset about something and you best stay away. It’s strange how things happen but it turned out that Mark was the guy we got on with the best. It was funny because when we flew over to Vegas to meet Mark our flight was seriously delayed and we didn’t get in till midnight. Mark had been waiting for us at the airport arranging stuff for us, since like 10 AM ! I mean this guy could get anyone to do this for him, but there he was getting his hands dirty and doing it himself. When we arrived he was all smiles, hugging us, cracking jokes and we were like ‘Who the fuck is this guy!” [laughs] It was there where we really forged our relationship. He’s a fantastic human being and I loved his style of working, it was very free and natural, lots of jams happened, it was a real pleasure.
VP: On the title track, ‘The Loudest Engine’ it took me a while to extract the meaning from the lyrics but apparently it’s a kind of homage or love-hate song about your relationship with your tour bus! ?
BRENDAN: We all do that too! Try and work out what the lyrics are all about [laughs] But yes it was written by Juanita about a particular bus we were on. She’s trying to describe what it means to a band on the road, kind of like the mother ship, you respect it but also resent the time you have to spend on it.
VP: So do you find yourself going ‘stir crazy’ at times on the tour bus ?
BRENDAN: Well we haven’t toured for two years so we have crammed in all that energy and horseplay into the last five days! It’s been nauseating 😉 You can’t move without somebody grabbing your nether regions! But there’s a limit and we kinda know how far we can push each other!
VP : Just before the tour you did a great session for Marc Riley on the BBC, which really wet my appetite for seeing you live again.
BRENDAN: Yeah, we’ve done a few before, but he’s a really great guy, so funny, and he certainly knows his stuff. It was a lot of fun!
VP: Fun!? . . . FUN !? But I thought the press had pinned you guys down as ‘Alt-Goth-country- doom merchants!‘
BRENDAN: Ha! There’s nothing gothic about us, except maybe the debut album cover, people just love labels!
VP: Ok so prior to the album’s release you went down the “Pledge” music route and released a digital EP, what was the thinking behind that?
BRENDAN: Really we felt that as we had been away so long we wanted to reconnect with our audience, I don’t really like to use the term ‘fans.’ I mean when we played London there were about fifteen people down at the front who were at our very first gig and have stuck by us. We thought this would be a nice way to involve people without going down the traditional route of through a label and would give us a chance to have some fun.
VP: So the internet/digital age is in many ways a bitter sweet pill for bands? Great to communicate with your fans but not great for sales?
BRENDAN: It can be hard for bands, yeah, because nobody is really making that much money, so you always have to think ways of doing things. With the Pledge campaign the fans were very generous and it all went back into the band fund and enabled us to fund this tour. I mean it’s not like we pocketed it and went down the pub! So yeah it is getting harder definitely but at the end of the day we do this for the pure love of it. Love it, or get the fuck out, that’s the choice! Every album and tour we somehow manage to do it and I certainly hope we continue pulling cards out of our sleeves to carry on doing this because we just want to make music.
VP: You’ve seen the other side of music too, the huge tours alongside The Killers and Coldplay. How does that compare to the more intimate shows. Is it nerve wracking playing to stadium sized crowds?
BRENDAN: Luckily I don’t really get nervous; walking out in front of 15 people or 50,000 people is all the same to me. Obviously you feel more distant from the crowd due to the scale; mind you I’m always interested in other bands fans reaction to us because I believe we are a good enough band to merit people’s attention. Y’know with Juanita’s voice and the way we craft the music around it, I think it’s interesting. But really the big tours you have to take them with a pinch of salt, and personally you reach a point when the money runs out! Let me take you through a day on a big tour:
A limo picks us up from the apartment then drives us to an air force base; you walk through security feeling like you own the joint. These flights are amazing you can do what you like really, then you land 45 minutes later where a motorcade with police outriders picks you up takes you through security to the stadium. You then eat some good food and play a show in front of 50,000 people. You fly back ……and then realise. . . . you can’t afford a cab and have to walk back to your girlfriends place! [laughs] That certainly gives you perspective, but you get to have these incredible experiences. I wouldn’t trade my band’s history and experiences for a billion dollars.
VP: Isn’t it tempting to do a bit of mad partying on tour?
BRENDAN: We used to at first, but jeez we’re getting on, we’re in our thirties now ! These days we’re pretty clean living and probably bigger foodies than drinkers. Maybe if you were on the same level as your Coldplays you might take advantage ( not that they do) , but at our level you have to be on your toes and you don’t want to let people down. I mean every time you suck live might lose you some fans and then other people in your team have to take up the slack, I think we have too much respect for what we do to let each other down. Buy hey we still get to meet crazy people and have amazing experiences!
VP: Talking of Coldplay what was that tour like, I know other Howling Bells fans that aren’t really keen on them, but it must have been a great opportunity to get your music out to an even bigger audience?
BRENDAN: Well from our point of view we were really happy and fortunate to get the chance to be involved in such a huge production, and y’know what? They are genuinely, honestly really nice guys, seriously! Like when Juanita broke her guitar on tour and the next day a brand new one arrived wrapped with a big bow, we were like ‘Fuck! A new guitar!” But this is how they roll. They are lovely to all their crew, seriously great guys, and they work fucking hard. So y’know you really have to respect them for that!
VP: Finally Brendan, off the top of your head, what would you say is your most memorable band moment?
BRENDAN: Jeez man, this is a tough one, so many…arrrgh…. OK I think maybe when we sold out our first headline London show at ICA and we were like ‘holy crap, we sold it out ! And I remember there was no air conditioning and my shirt was stuck to me after the gig and had to be literally peeled off my back! Juanita came off stage looking like Alice Cooper as her makeup had run down her face and her hair was plastered to her forehead!
Everybody looked disgusting, but we were on such a high, which may have been in some part due to a lack of salts and dehydration induced euphoria! We nearly died that night it was so hot but it was a great gig !
- Through The Static – Howling Bells – Juanita Stein Interview with Andy Von Pip 2009 (vonpipmusicalexpress.wordpress.com)
- Songs To Learn and Sing – Veronica Falls, Howling Bells, Zola Jesus and Dirtblonde (vonpipmusicalexpress.wordpress.com)
- Songs To Learn And Sing – Ladytron, Prince Edward Island, Howling Bells, No Ceremony,The Icarus Line. (vonpipmusicalexpress.wordpress.com)
- Sarabeth Tucek And Bird – Live St Brides Church Liverpool. (vonpipmusicalexpress.wordpress.com)
- Lucy Rose Interview. (vonpipmusicalexpress.wordpress.com)
- Howling Bells – Into The Sky (eclecticallychallenged.com)